ryandonato:

Wardell Milan

This was posted 3 days ago. It has 681 notes.
ycphotographs:

by ©Ariko Inaoka

ycphotographs:

by ©Ariko Inaoka

This was posted 3 days ago. It has 150 notes. .
POP FEMINIST PERBLOG: (tw rape)

rgr-pop:

As if I’m surprised that these bros are disregarding every history of the “movement” they have deigned to lead, as if I am surprised they choose to so consistently deliberately push out the voices and wishes and bodies and concerns and histories and works of every survivor.

How can you miss all the criticisms of the “‘yes means yes’” epidemic? What kind of grasp can you have on consent if you don’t understand that sometimes yes doesn’t mean yes? What does it say about you that you can’t fathom a “yes” that is anything but enthusiastic? It says that you’ve never considered, you know, power relationships, it says that you have never listened to survivors, especially survivors of prolonged domestic abuse, it says you have not read literally any literature about the dynamics of rape, like, ever. (It also says you might be a rapist, let’s be honest.) Most importantly, a men’s group fighting to preserve the “‘yes means yes’” slogan which is alreadycontroversial among survivor advocacy groups just highlights how important it is for would-be rapists to have this tool in their belt. Men and/or rapists need us to keep saying “yes means yes” because that means that all they need to do to attain total amnesty is get you to say “yes” at any cost.

I just—naively—never thought I would see a semi-institutionalized anti-rape group telling me that “no means no” doesn’t apply anymore. “Enthusiastic consent” means “you no longer can use ‘no’ as a potential response.” What are we supposed to say? Does enthusiastic consent mean we have to be enthusiastic in nonconsent? That we have to say “I am not gonna have sex with you and I swear I have a good reason”? What about silence? If “no” isn’t enough, what good is silence?

It makes me think about how, to these people, the tools of consent, the tools of “stopping rape,” are really really really really not supposed to be accessed by people who have already experienced rape. Because when they read the slogan “no means no” they read it as “when someone says no I am supposed to listen to them,” they are reading it from the perspective of the potential rapist, or the already-rapist. The potential violator of consent, the person who needs to learn how not to rape. And certainly there is a strong history, and an urgent need for that reading of “no means no.” But “no means no” is mostly an old tool for survivors, to assert “rights,” coming (first) out of contexts where some people aren’t allowed to say no. It was, in one permutation, a liberal rights affirmation addressing marital exemption laws (especially in affirming their repeal over the past thirty years or so). In other cases it has been used to resist situations where people aren’t given the “right” to say “no”—a resistance to political structures that invalidate the “no.” 

So often, though, “no means no” is like, one of the only things survivors-who-said-no-but-still-got-raped-and-still-got-no-justice have to cling to. “I said no,” while a really limited device that has often hurt the survivors who didn’t say no, is a classic part of the reparative process. “I said no” is a validation for survivors who blame themselves. It’s not necessarily even that useful, and it doesn’t change anything, but it has operated like this for a long time. It should be something survivors can use to heal, if nothing else. I just can’t even believe some dudes are like “nope, that doesn’t count anymore. you don’t get to use this.”

(via crunkfeministcollective)

This was posted 3 days ago. It has 141 notes.
darksilenceinsuburbia:

Philipp Banken. 

Behance
Blog

darksilenceinsuburbia:

Philipp Banken

Behance

Blog

This was posted 4 days ago. It has 471 notes. .
fleurdulys:

Childe Hassam’s Studio - Harry Aiken Hoffman
1909

fleurdulys:

Childe Hassam’s Studio - Harry Aiken Hoffman

1909

(via pareidoliac)

This was posted 4 days ago. It has 96 notes. .
darksilenceinsuburbia:

Philipp Banken. Fog Weaver.

Blog

darksilenceinsuburbia:

Philipp Banken. Fog Weaver.

Blog

This was posted 4 days ago. It has 882 notes. .
nevver:

Vienna

nevver:

Vienna

This was posted 4 days ago. It has 1,103 notes. .
darksilenceinsuburbia:

Kim Morley. Fragmented Collage # 1.
 
 
Flickr

darksilenceinsuburbia:

Kim Morley. Fragmented Collage # 1.

 

 

Flickr

This was posted 2 weeks ago. It has 766 notes. .
darksilenceinsuburbia:

Safwan Dahoul.
Syrian artist.

darksilenceinsuburbia:

Safwan Dahoul.

Syrian artist.

This was posted 2 weeks ago. It has 304 notes. .
darksilenceinsuburbia:

Wylder Flett. Seeweed #11. Oil on canvas.

darksilenceinsuburbia:

Wylder Flett. Seeweed #11. Oil on canvas.

This was posted 2 weeks ago. It has 369 notes. .

remediosthebeauty:

Letha Wilson doesn’t just take photos, she also cuts them up.  More like incisions really.  Perfectly placed.  They change everything.

via The Jealous Curator

(via darksilenceinsuburbia)

This was posted 2 weeks ago. It has 260 notes.
welzenis:

Jan Willem van Welzenis
Untitled, 2006
Website | Tumblr

welzenis:

Jan Willem van Welzenis

Untitled, 2006

Website | Tumblr

(via darksilenceinsuburbia)

This was posted 2 weeks ago. It has 378 notes. .

Madeline von Foerster - Invasive Species II , 2008
Oil and egg tempera on panel 

Madeline von Foerster - Invasive Species II , 2008

Oil and egg tempera on panel 

(via darksilenceinsuburbia)

This was posted 2 weeks ago. It has 237 notes. .
iheartmyart:

Christina Mitrentse, Anomalous God is Not Great - No 1, 2010, graphite powder, silver pencil, pastel powder, ink, chalk on paper

iheartmyart:

Christina Mitrentse, Anomalous God is Not Great - No 1, 2010, graphite powder, silver pencil, pastel powder, ink, chalk on paper

This was posted 2 weeks ago. It has 31 notes. .
areaofinterest:

Michael Chase

areaofinterest:

Michael Chase

(via ryandonato)

This was posted 2 weeks ago. It has 1,967 notes. .